Lykke Li Wounded Rhymes Mediafire

00:03:11 • • • • • • Lykke Li Zachrisson, Lyricist - Lykke Li, Vocals, MainArtist - Bjorn Yttling, Producer, Guitar, Writer - John Eriksson, Percussion - Henrik Jonsson, Masters of Audio, Masterer - Mariam Wallentin, Backing Vocals - Zhala Rifat, Backing Vocals Copyright: 2011 LL Recordings under exclusive licence to Warner Music UK Limited for the world excluding Sweden, Norway, Denmark, Finland and Iceland 2010 LL Recordings under exclusive licence to Warner Music UK Limited for the world excluding Sweden, Norway, Denmark, Finland and Iceland • 5 Get Some. 00:06:26 • • • • • • Lykke Li Zachrisson, Lyricist - Lykke Li, Vocals, MainArtist - Bjorn Yttling, Producer, Guitar, Backing Vocals, Writer - Rick Nowels, Writer - Henrik Jonsson, Masters of Audio, Masterer Copyright: 2011 LL Recordings under exclusive licence to Warner Music UK Limited for the world excluding Sweden, Norway, Denmark, Finland and Iceland 2010 LL Recordings under exclusive licence to Warner Music UK Limited for the world excluding Sweden, Norway, Denmark, Finland and Iceland • 9 Jerome. Returning to the album game three years after the charmingly curious Youth Novels, Lykke Li Zachrisson has grown up and moved away a little bit from the rather timid, waifish, precocious young woman of her debut. She hasn't entirely let go of her girlish sweetness, and she certainly hasn't lost her way with a melodic hook, but she's largely outgrown the more cloyingly precious, occasionally clumsy tendencies that sometimes plagued her debut, and her singing voice, while still appealingly personable and distinctive, has gotten considerably more forceful. Judul skripsi elektro telekomunikasi modern english. Indeed, despite its vulnerable title, Wounded Rhymes practically oozes confidence, barreling out of the gate with the swaggering, rabble-rousing 'Youth Knows No Pain,' all in-the-red handclaps, hip-shaking drums and tambourines, and downright nasty, psych-damaged organ, as Li sneeringly exhorts us to 'C'mon honey, blow yourself to pieces.' Even with a roughly even ratio of ballads to rockers, and a fair complement of woebegone lyrics, there's a similar sense of toughness throughout.

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But it's a fleshy, lived-in toughness, equally unabashed about declarations of love (the deeply romantic 'I Follow Rivers,' the powerfully passionate 'Love out of Lust,' and the borderline obsessive 'Jerome'), and provocations like the fierce, sexually aggressive 'Get Some.'