Bozak Cma 10 2dl Manual

Died ( 1982-02-08)February 8, 1982 (aged 72) Residence Other names Rudy Bozak, R. Bozak, Rudi T.

The CMA-10-2 and 10-2DL mixer was designed at Bozak for sale to discotheques. [10] [11] Bozak didn't cease production of DJ mixers until some years after the death of Rudy Bozak.

Bozak Occupation Engineer, designer, entrepreneur, owner Employer Cinaudagraph Dinion Coil Company R. Spouse(s) Lillian Gilleski Children Lillian, Mary and Barbara Rudolph Thomas Bozak (1910–1982) was an audio electronics and acoustics designer and engineer in the field of sound reproduction. His parents were Czech immigrants; Rudy was born in. Bozak studied at; in 1981, the school awarded him an honorary doctorate in engineering. Gramota za uchastie v konkurse risunkov shablon. Bozak married Lillian Gilleski; the two had three daughters: Lillian, Mary and Barbara.

Contents • • • • • • • • • • • • • Loudspeakers [ ] Fresh out of college in 1933, Rudy Bozak began working for, an electronics manufacturer based in. Bozak would later employ Allen-Bradley components in his own electronic designs. Bozak moved to the in 1935 to work for Cinaudagraph out of. Two years later he was chief engineer. At the, a tower topped with a cluster of eight 27' Cinaudagraph loudspeakers in 30' frames with huge 450 lb. Magnets covered low frequency duties for a 2-way PA system at.

The loudspeakers were mounted into horns with 14' wide mouths and were each driven by a 500 watt amplifier derived from a high-power radio broadcast tube. In June 1940, Electronics magazine published an article that Bozak had written about the design of the 27' loudspeaker. During, Bozak worked with at Dinion Coil Company in developing very high voltage power supplies for radar. Bozak joined in 1944 to help them develop an. While in, he noticed that the human sense of hearing was unpredictable at best. Years later, Bozak recounted this story about the Conn electronic organ project: 'The general sales manager, who was a pianist and played organ, sat down and played the thing and said it was great, just what we were looking for. A week later he was invited back into the laboratory and sat down and played the instrument again.

He didn’t play ten or fifteen bars when he said, This goddamn thing doesn’t sound right. What did you guys do to it?’ We said we hadn’t done anything. Well, he didn’t believe us. ‘You did something to it. You messed it up here,’ he said. ‘Restore it back to the way you had it.’ So what we did was let the damn instrument sit there for another week, and he comes back and plays it again. ‘Now this is the way it should be,’ he says.'

In 1948 Bozak moved his family to to develop organ loudspeakers for. While there, Bozak experimented at home in a loudspeaker laboratory he housed in his basement. One design of his featured a shell as the loudspeaker enclosure. In 1950 Bozak was hired as a consultant by to develop a square loudspeaker driver unit but it was not an engineering success. In 1952 he was making driver units for the McIntosh F100 speaker system. Though these sold reasonably well, McIntosh did not develop the design further. This experience led him to form his own company, Bozak Loudspeakers, in.